At DAZ 3D, I owned UX end to end for a flagship technical software platform, redesigning the install manager and the artist QA submission system, tools with real workflow complexity and zero patience for friction from a technical user base. That's the same muscle Casper Studios needs for AI-native surfaces: taking something genuinely complicated and making it feel simple without flattening what makes it powerful. I've spent my whole career in agency environments where a perfect brief and a long runway are the exception, not the rule. At Scorpion, I built and shipped sales campaign experiences across multiple markets simultaneously, and at MaxConnect I run a full creative team juggling several client builds at once, which means I'm used to context-switching across projects without losing quality, exactly what this role asks for. I also use AI daily in my own workflow already, both for creative concepting and for practical execution, so designing AI-native experiences isn't theoretical to me. I know what it's like to work shoulder to shoulder with people who need something shippable fast, not a deck.